{"title":"Film","description":"\u003cp\u003eBrowse our Film collection. Hot Sale.\u003c\/p\u003e","products":[{"product_id":"scripts-from-the-crypt-the-hideous-sun-demon-an-original-screenplay-softcover-edition-by-tom-weaver","title":"SCRIPTS FROM THE CRYPT: THE HIDEOUS SUN DEMON: AN ORIGINAL SCREENPLAY (SOFTCOVER EDITION) by Tom Weaver","description":"\u003cimg src=\"https:\/\/bearmanormedia.com\/documents\/button-clickdownload10pages.png?width=700\" width=\"200\"\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial, Helvetica, sans-serif;\" face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003eIn this one-of-a-kind volume, you'll learn everything under the sun about producer-director-star Robert Clarke's 1959 monster classic: Clarke's in-depth account of the making of his low-budget independent movie; reprints of TWO versions of the script, the first set in the jungles of Guatemala; the full story of SUN DEMON's world premiere at a Texas drive-in; anecdotal memories of the frantic filmmaking process from nearly a dozen cast-and-crew participants; the original \"Showmanship Manual\"; an outline for a follow-up SUN DEMON film proposed by Clarke in the 1970s; scores of rare and never-seen photographs; even an afterword from sexquisite co-star Nan Peterson! This is the first in a series of such books from longtime genre fan and chronicler Tom Weaver.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e  \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eFrom MONSTERS FROM THE VAULT magazine, reviewed by Bryan Senn\u003c\/span\u003e\u003cspan style=\"font-size: 14px;\"\u003e:\u003c\/span\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan style=\"font-size: 14px;\"\u003e\"a fascinating chronicle of independent filmmaking from a bygone era\"\u003cbr\u003e \"Weaver leaves no sun-drenched stone unturned\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003chr\u003e\"Weaver also continues his super-fun Scripts from the Crypt series, begun with The Hideous Sun Demon, with not one but two new entries. No. 2 goes deep on the Lon Chaney cult shocker Indestructible Man (1956). Beyond the complete original screenplay by Vy Russell and Sue Bradford, the profusely illustrated large-format softcover incorporates new and archival quotes from many of the pic's participants, an interview with costar Casey Adams (aka Max Showalter), profiles of colorful filmmaking partners Jack Pollexfen and Aubrey Wisberg, notes on the script, trivia, David Schecter's analysis of the score, and much, much more, including an appreciation by fan\/auteur Fred Olen Ray. Even if you, unlike Indestructible Man Butcher Benton, have never chanted the mantra \"Paul Lowe, Squeamy Ellis, Joe Marcelli,\" you'll want to invest your time and dough in this essential tome.\u003cbr\u003e\u003cspan style=\"font-style: italic;\"\u003e-- Videoscope\u003c\/span\u003e\u003cbr\u003e\u003chr\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial, Helvetica, sans-serif;\" face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003eReview in Fangoria Magazine\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial, Helvetica, sans-serif;\" face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003e\u003cstrong\u003eRead the First 10 Pages Here\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712740782122,"sku":"pst1787291377968","price":26.27,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/scripts-from-the-crypt-the-hideous-sun-demon-an-original-screenplay-softcover-ed_1.jpg?v=1787291383"},{"product_id":"hollywoods-babe-dancing-through-oz-paperback","title":"HOLLYWOOD'S BABE: DANCING THROUGH OZ (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eClick your heels together three times and join author Caren Marsh-Doll, Judy Garland's stand-in in The Wizard of Oz, as she dances through her rich Hollywood life.\u003cbr\u003e\u003cbr\u003eCaren, an original MGM doll, appeared on the silver screen, danced in Hollywood musicals, was a Western leading lady, acted on Broadway, and remains the darling of Oz fans around the world. She met gangster Bugsy Siegel, survived a near fatal plane crash, and learned about sex \"near\" a Hollywood casting couch.\u003cbr\u003e\u003cbr\u003eAnd she's still dancing... into the 2nd edition of her award-winning autobiography. Named Best Autobiography Classic Images, this expanded edition has More rare pictures, and extra material! \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"width: 120px; height: 240px; display: none !important;\" src=\"\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822\u0026amp;OneJS=1\u0026amp;Operation=GetAdHtml\u0026amp;MarketPlace=US\u0026amp;source=ac\u0026amp;ref=qf_sp_asin_til\u0026amp;ad_type=product_link\u0026amp;tracking_id=bmmedia0b-20\u0026amp;marketplace=amazon\u0026amp;region=US\u0026amp;placement=1593931077\u0026amp;asins=1593931077\u0026amp;linkId=f0f67388dc7aab3a74a8e63a2763146b\u0026amp;show_border=true\u0026amp;link_opens_in_new_window=true\u0026amp;price_color=333333\u0026amp;title_color=0066c0\u0026amp;bg_color=ffffff\" hidden=\"\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" frameborder=\"0\"\u003e\n    \u003c\/iframe\u003e\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eHollywood’s Child: Dancing Through Oz is an engrossing biography by dancer\/actress Caren Marsh-Doll, who, as per the title, also acted as Judy Garland’s stand-in in \u003cem\u003eThe Wizard of Oz\u003c\/em\u003e (1939). Doll did numerous dancing bits (Rosalie, \u003cem\u003eBest Foot Forward\u003c\/em\u003e, \u003cem\u003eThat Night in Rio\u003c\/em\u003e, etc.) and feature and lead parts (Bob Steele’s leading lady in \u003cem\u003eThe Navajo Kid\u003c\/em\u003e, 1945) during the 1930s and ‘40s, without ever having achieved stardom. But, unlike some from that time period who write books, seeking their belated fifteen minutes of fame, Doll actually has a story to tell – an inspiring one, it turns out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eHollywood’s Child fully and charmingly captures Doll’s wide-eyed innocence when she first came to Hollywood in 1937. Most vivid is her first day at MGM, an expressive section that is unlike anything I’ve read. Doll takes the reader into that time period, her writing putting us in her shoes as the experiences the film making process for the first time, \u003cem\u003eWizard of Oz\u003c\/em\u003e readers will revel in her recollections of Judy Garland and of her on-set remembrances. It’s very hard, at this late date, to hear anything new about this 1939 classic, but Doll provides.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eThe book’s one flaw, but part of its charm, is its disregard for a proper chronological order. She skips a period of several years in a flash, acting as if it was a natural thing to do, even though her organization doesn’t quite make sense. Some references, like songs, are also not in the proper order, but these can be overlooked, considering the enthusiasm and delight that Doll takes in telling us her story.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003eDoll’s private life has been less than ideal, and her candor in this area makes her story more interesting. Her story switches to gutsy, although still optimistic, prose as she deals with a devastating plane crash, in which she was one of the few survivors, and a marriage to an alcoholic. She gains much sympathy with her honesty and her spunky perseverance in the face of problems and setbacks. You can’t help but like Caren Marsh-Doll. And, undoubtably, you will like her book. It’s a good read – and the pictures are terrific. One boo-boo: no filmography. Considering all her unbilled dancing bits, a film list should have been mandatory. Order from Caren Marsh-Doll at PO box 3233 Palm Springs, CA 92263.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cem\u003e- BOOK POINTS by Laura Wagner\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\"Many thanks to Caren Marsh-Doll for sharing her priceless memories of dancing through the Golden Age of Hollywood-- and beyond.\"\u003cbr\u003e\u003cem\u003e- http:\/\/bookreviewsbydavidmarshalljames.blogspot.com\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"http:\/\/www.bearmanormedia.com\/image\/data\/Caren%20Marsh%20Doll.jpg?width=700\" style=\"width: 311px; height: 413px;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eCaren Marsh Doll today.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eVisit the author's Facebook page\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\"''\"--\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712740716586,"sku":"wab1787291377989","price":22.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/hollywoods-babe-dancing-through-oz-paperback_1.jpg?v=1787291383"},{"product_id":"the-essential-jim-carrey-an-unofficial-fan-guide-by-ma-cassata","title":"THE ESSENTIAL JIM CARREY: AN UNOFFICIAL FAN GUIDE by M.A. Cassata","description":"\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003e\"The main purpose of \u003cspan style=\"font-style: italic;\"\u003eThe Essential Jim Carrey\u003c\/span\u003e is to celebrate the life and career of this man - an enormous talent, who has inspired people through laughter and instilled a sense of hope with his acting craft. Whether you are a new fan, or an old one, these pages will connect you with one of the most beloved actors of our generation and give you a greater appreciation of his true genius. It is my fondest wish that fans of Jim Carrey will read this book and be as inspired by him as I have been over the years.\"\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size: 14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003e- The Author\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cem\u003eAdd to your cart by clicking on button above, or buy directly from Amazon below:\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003ciframe frameborder=\"0\" marginheight=\"0\" marginwidth=\"0\" scrolling=\"no\" src=\"http:\/\/rcm.amazon.com\/e\/cm?t=bearmanormedi-20\u0026amp;o=1\u0026amp;p=8\u0026amp;l=as1\u0026amp;asins=159393517X\u0026amp;fc1=000000\u0026amp;IS2=1\u0026amp;lt1=_blank\u0026amp;m=amazon\u0026amp;lc1=0000FF\u0026amp;bc1=000000\u0026amp;bg1=FFFFFF\u0026amp;f=ifr\" style=\"width:120px;height:240px;\"\u003e\u003c\/iframe\u003e\u003c!--\"''\"--\u003e\u003c\/p\u003e\r\n","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712740749354,"sku":"zxe1787291378138","price":17.52,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/the-essential-jim-carrey-an-unofficial-fan-guide-by-ma-cassata_1.jpg?v=1787291383"},{"product_id":"the-lion-and-the-giraffe-a-naturalists-life-in-the-movie-business-paperback","title":"THE LION AND THE GIRAFFE: A NATURALIST'S LIFE IN THE MOVIE BUSINESS (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\"He's a Hyphenate\". That's Hollywood lingo for a person who has done more than one job on a film. Director-Writer-Cameraman-Producer-Naturalist, and Oscar nominee, Jack Couffer falls into that rare niche of multi-taskers who has done it all. He has made movies of many genres all over the world, but his specialty has been films with animals sharing the screen with human characters.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cem\u003eRing of Bright Water, Never Cry Wolf, Out of Africa, Jonathan Livingston Seagull, \u003c\/em\u003eand\u003cem\u003e Living Free\u003c\/em\u003e all bore the Couffer identity. This is the story of the pains and joys in making these and many other delightful films.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eLeonard Maltin says:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eThe author of this colorful memoir may not be a household name, but he's been involved in everything from Walt Disney's \u003cem\u003eThe Living Desert\u003c\/em\u003e to \u003cem\u003eOut of Africa\u003c\/em\u003e, from Disney animal movies like \u003cem\u003eThe Incredible Journey\u003c\/em\u003e to \u003cem\u003eNever Cry Wolf\u003c\/em\u003e...and he has great stories to tell.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eCouffer was a naturalist and a seaman before he ever thought of looking through a viewfinder. It was only by chance, when he attended USC on the G.I. bill after World War Two, that he became friendly with a fellow student named Conrad Hall, who persuaded him to try a cinema class. He fell under the spell of the celebrated montage-maker and teacher Slavko Vorkapich, and before long, he, Hall, and another newcomer were filmmaking partners. Couffer's tales of trying to break into the business-and how the three hungry newcomers bent and broke rules to do so in the 1950s-are evocative and still instructive today. How the trio made its first dramatic feature (\u003cem\u003eRunning Target\u003c\/em\u003e) on location, with very little money and not-always-cooperative actors, could still be used as a textbook on indie filmmaking.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eEventually he shot some macro-footage of insects, which got his foot in the door at the Disney studio and his first assignment. He and Hall, who shared his adventurous spirit and love of the outdoors, spent almost a year living in the Galapagos Islands, for starters, filming wildlife that had never been put on film before. He continued working for the company on a freelance basis well into the 1960s, and reveals fascinating details about how some of the remarkable animal footage for films like \u003cem\u003eNikki, Wild Dog of the North\u003c\/em\u003e, \u003cem\u003eThe Legend of Lobo\u003c\/em\u003e, and \u003cem\u003eThe Incredible Journey\u003c\/em\u003e was accomplished. He also spills the beans about Disney's not-so-generous attitude toward freelancers, and how-after push came to shove-he got the last laugh.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eCouffer isn't bitter, however; he seems to be a pragmatist, and realizes how fortunate he was to do something he genuinely loved and get paid for it. He also has kind words for Walt himself, and marvels at the fact that whenever he chanced to run into the boss, he always knew exactly what Couffer was working on at the time and had a ready supply of questions.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eHis other far-reaching adventures crisscross the globe and provide insights into the process of working in remote locales, with all sorts of wild creatures, and always coming home with Hollywood-grade material. For some of the animal films-or second-unit work involving animals-preparation work might begin a year ahead of time, raising anything from an eagle to a lion to be able to work in front of a camera. Couffer occasionally got to work with humans, as well, as director of such films as \u003cem\u003eRing of Bright Water\u003c\/em\u003e and \u003cem\u003eLiving Free\u003c\/em\u003e. Over the years he became a good writer, which is evidenced by this absorbing, highly readable autobiography.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eSome of his funniest stories involve disastrous shoots like \u003cem\u003eSheena\u003c\/em\u003e (1984), for which Couffer shot second-unit action under the direction of John Guillermin, who functioned best in an atmosphere of chaos. Another second-unit shoot, for Sydney Pollack on \u003cem\u003eOut of Africa\u003c\/em\u003e, reveals the darker side of the movie business, where personality clashes take precedence over getting good results on screen.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eCouffer delves into his personal life, with some degree of discretion, and tells us how his long trips away from home put strain on his first marriage, but also shares some wonderful times he spent with his son where they got to share the fun of being on location and learning about nature.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eArticle in the Glendale News Press\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003ci\u003e\u003cspan style=\"color: black;\"\u003eRead the new review!\u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\"''\"--\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712740814890,"sku":"qhi1787291378071","price":18.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/the-lion-and-the-giraffe-a-naturalists-life-in-the-movie-business-paperback_1.jpg?v=1787291383"},{"product_id":"the-real-joyce-compton-behind-the-dumb-blonde-movie-image-paperback","title":"THE REAL JOYCE COMPTON: BEHIND THE DUMB BLONDE MOVIE IMAGE (paperback)","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cb\u003e\u003ci\u003eThe unpublished autobiography!\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cem\u003e\"People who like films and stars of that era, from the 1920s on through the 1950s, I think, would like to have such a personally-written account of some of the highlights of an actress's life.  Most picture us all as rich and famous and never hear of another side.  I've even thought of the title: \u003c\/em\u003eThe Real Joyce Compton: Behind the Dumb Blonde Movie Image\u003cem\u003e.  Sound good?  It's a thought.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e--Excerpt of a letter from Joyce Compton to Michael G. Ankerich, 27 January 1988\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cem\u003eThe Real Joyce Compton: Behind the Dumb Blonde Movie Image\u003c\/em\u003e is the story that Joyce Compton, one of the screen's finest comediennes and most versatile actresses, wanted told.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eHer career, which consisted of an estimated 200 films, stretched from 1925 to 1957.  Breaking into films during the silent era, she appeared in a string of ingénue roles, imagining herself as a new Mae Murray, but it was after the beginning of sound that Compton found her niche in comedy.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eIn her own words, she recounts her frustrations over studio politics and shares her experiences of working and socializing with such screen favorites as Clara Bow, Cary Grant, Marlene Dietrich, Joel McCrea, George O'Brien, John Wayne, Humphrey Bogart, Johnny Mack Brown, Janet Gaynor, and George Raft.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eCompton opens up about her often overly protective parents, her off-screen romances, her one heartbreaking attempt at marriage, her deep religious faith, and her struggle to support her family after her film career ended.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eWith candor and insight that only someone who was there can share, Compton discusses the transition from silents to talkies; working with incompetent directors in those early sound movies; living on locations; the competition she experienced with the \"star\" actresses of the studio; freelancing versus working under a studio contact; and the day-to-day life of an actress working in early Hollywood.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cem\u003eThe Real Joyce Compton\u003c\/em\u003e begins with a biography of the actress, written by co-author Michael G. Ankerich, based on formal interviews, conversations, and correspondence over their 10-year friendship. The book also contains a detailed filmography of Compton's film appearances and is lavishly illustrated with over 80 photographs, many of which are from Compton's own personal collection.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712756117546,"sku":"oqb1787291638939","price":22.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/the-real-joyce-compton-behind-the-dumb-blonde-movie-image-paperback_1.gif?v=1787291643"},{"product_id":"thats-still-not-all-folks-an-autobiography","title":"THAT'S STILL NOT ALL, FOLKS! AN AUTOBIOGRAPHY","description":"\u003cstyle\u003e\n\u003c!--\n \/* Font Definitions *\/\n@font-face\n\t{font-family:Arial;\n\tpanose-1:2 11 6 4 2 2 2 2 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536859905 -1073711037 9 0 511 0;}\n@font-face\n\t{font-family:Times;\n\tpanose-1:2 0 5 0 0 0 0 0 0 0;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:3 0 0 0 1 0;}\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:0 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:1;\n\tmso-generic-font-family:roman;\n\tmso-font-format:other;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 0 0 0 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n@font-face\n\t{font-family:\"Helvetica Neue\";\n\tpanose-1:2 0 5 3 0 0 0 2 0 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-452984065 1342208475 16 0 1 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\n\u003c\/style\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: 'Times New Roman'; color: #1c1c1c;\"\u003eJoseph Francis \"\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: 'Times New Roman';\"\u003eJoe\" Alaskey experienced loony times with Looney Tunes. An American actor, comedian, and voice artist, he is universally heard, yet seldom seen. His voice characterizations gave personality to Bugs Bunny\u003cspan style=\"color: #1c1c1c;\"\u003e, \u003c\/span\u003eDaffy Duck\u003cspan style=\"color: #1c1c1c;\"\u003e, \u003c\/span\u003eSylvester\u003cspan style=\"color: #1c1c1c;\"\u003e, \u003c\/span\u003eTweety\u003cspan style=\"color: #1c1c1c;\"\u003e and other cartoon characters from \u003c\/span\u003eWarner Bros., and he has supplied voices for other studios’ animated films, such as \u003cspan style=\"color: #1c1c1c;\"\u003eGrandpa Lou Pickles on \u003ci\u003eRugrats, \u003c\/i\u003eThomas Timberwolf for the Internet series, \u003ci\u003eTimberWolf\u003c\/i\u003e, Curt Connors in the \u003ci\u003eSpider-Man 2 Video Game.\u003c\/i\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: 'Times New Roman'; color: #1c1c1c;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: 'Times New Roman'; color: #1c1c1c;\"\u003eBack in the 1980s, Jackie Gleason selected Alaskey to re-record some dialogue from the \"lost episodes\" of \u003ci\u003eThe Honeymooners\u003c\/i\u003e that were found in Gleason's personal memorabilia. Kids also hear Alaskey as Mermaid Man in the video games \u003ci\u003eSpongeBob SquarePants: Lights, Camera, Pants!\u003c\/i\u003e and the voice of\u003ci\u003e \u003c\/i\u003eStinkie in \u003ci\u003eCasper,\u003c\/i\u003e as well as that film's 1996 animated spin-off, \u003ci\u003eThe Spooktacular New Adventures of Casper\u003c\/i\u003e.\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: Times; color: #1c1c1c;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: Arial;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"mso-pagination: none; mso-layout-grid-align: none; text-autospace: none;\"\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: 'Times New Roman';\"\u003eSelf-described as “the idiotic story of a nitwit impressionist's rise to ‘fame’ via various media: stage, radio, TV, films, video games, etc.,” Alaskey won an Emmy Award for \u003ci\u003e\u003cspan style=\"color: #1c1c1c;\"\u003eDuck Dodgers\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"color: #1c1c1c;\"\u003e (2003-2005), an \u003c\/span\u003eAmerican\u003cspan style=\"color: #1c1c1c;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: Times;\"\u003eanimated television series\u003cspan style=\"color: #1c1c1c;\"\u003e based on the 1953 theatrical cartoon short, \u003c\/span\u003e\u003ci\u003eDuck Dodgers in the 24½th Century\u003c\/i\u003e, produced by Warner Bros. Animation\u003c\/span\u003e\u003cspan style=\"font-family: 'Helvetica Neue'; mso-bidi-font-family: 'Times New Roman';\"\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c!--\"''\"--\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712756281386,"sku":"siw1787291640766","price":20.28,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/thats-still-not-all-folks-an-autobiography_1.jpg?v=1787291646"},{"product_id":"lon-chaneys-shadow-john-jeske-and-the-chaney-mystique-by-suzanne-gargiulo","title":"LON CHANEY'S SHADOW: JOHN JESKE AND THE CHANEY MYSTIQUE by Suzanne Gargiulo","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cem\u003eLon Chaney's Shadow: John Jeske and the Chaney Mystique\u003c\/em\u003e reveals an unexplored and controversial side of the great silent film actor Lon Chaney's life by taking a close look at his relationship with friend, chauffeur, and make-up assistant, John Jeske.  Books previously published of Chaney's life and career document his phenomenal talent in the art of motion picture make-up and acting, but the reader comes away without a full understanding of who Chaney was as a man.  This book focuses on the human level of the relationship between Lon, his son Creighton (Lon, Jr.), second wife Hazel, and their \"faithful servant\", so the pieces of the emotional and psychological dynamics at work in this complex story can finally be appreciated for the significant impact they had on Chaney's career.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eThe John Jeske story is at its core a fascinating glimpse into a world which has until now been off limits to all but the most dedicated of researchers. The majority of evidence to link the two men has been purposely suppressed or destroyed--a great deal of it was destroyed by Chaney himself and his wife Hazel to keep alive the myth that Chaney did not need help of any kind.  The story of Jeske's life and work with Lon Chaney is therefore fragmented at best, but I believe, through painstaking research, I have recovered enough to finally reveal the truth.  This book fills the gap left behind by every other Lon Chaney biography and is an essential addition to the libraries of Chaney fans and film historians worldwide.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\"''\"--\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"BearManor Media","offers":[{"title":"Paperback","offer_id":44712756445226,"sku":"bbh1787291642528","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/lon-chaneys-shadow-john-jeske-and-the-chaney-mystique-by-suzanne-gargiulo_1.jpg?v=1787291647"},{"product_id":"by-david-del-valle","title":"by David Del Valle","description":"\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003e\"LOST HORIZONS is a very enlightening and pleasurable read.\"\u003cbr\u003e\r\n\t- \u003cspan style=\"font-weight: bold;\"\u003eVideo Watchdog\u003c\/span\u003e\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eDavid Del Valle, writer, curator, collector, and Hollywood historian, takes you on a first person tour of the man-made Shangri La beneath the Hollywood sign, ultimately descending into the smog-shrouded netherworld of Lost Horizons.\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eHis candid recollections prove to be a celebration of contrasts, as David hangs out with the reigning pop culture icons of the day, Timothy Leary, Christopher Isherwood, Terry Southern, and Kenneth Anger.\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eDavid maintained a life-long passion for those artisans that created the Horror genre. He grew up as a monster-watching kid of the 1950s, watching those films unfold on television, and his interactions with genre personalities like Vampira, John Carradine, Christopher Lee, and Barbara Steele testify to his devotion to their legacy.\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eThe book also delves into his long relationships with Vincent Price and Curtis Harrington during twenty-five years of living in Beverly Hills, as well as unforgettable moments such as introducing Hermione Baddeley to the Avant Garde filmmaker Rainer Fassbinder in a West Hollywood leather bar while Martha Raye searched her purse for poppers.\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eKen Russell, one of David's favorite directors, was fond of reminding David \"Every day in Tinsle town is Halloween.\"\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eEnter the realm of Lost Horizons and discover that you are no longer a tourist. You are now one of the attractions.\u003c\/font\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cfont color=\"black\" face=\"Arial,Helvetica,sans-serif\"\u003eReview from Bright Lights After Dark\u003c\/font\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cem\u003e\u003cspan style=\"font-size:14px;\"\u003eReview from Monsters and Critics\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eArticle in Movie Talk\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003eReview from Horror Unlimited\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n\u003cp\u003e\r\n\t\u003cem\u003e\u003cspan style=\"font-size:14px;\"\u003eArticle from Cinema Retro\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\r\n","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712756609066,"sku":"nfl1787291644374","price":13.77,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/by-david-del-valle_1.jpg?v=1787291649"},{"product_id":"dear-stinkpot-letters-from-louise-brooks-softcover-edition-by-jan-wahl","title":"DEAR STINKPOT: LETTERS FROM LOUISE BROOKS (SOFTCOVER EDITION) by Jan Wahl","description":"\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eLOUISE BROOKS and Jan Wahl had a special, roller-coaster relationship lasting\u003cbr\u003etwenty-odd years. He met the legendary star when he was a student; it turned out\u003cbr\u003eeach of them hoped to be a writer. This intense friendship continued by letter\u003cbr\u003eand in person. The letters from Louise reveal much of her inner personality - her\u003cbr\u003einsights and anecdotes make fascinating, compelling reading. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eOr buy from Amazon:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"width: 120px; height: 240px;\" src=\"https:\/\/ws-na.amazon-adsystem.com\/widgets\/q?ServiceVersion=20070822\u0026amp;OneJS=1\u0026amp;Operation=GetAdHtml\u0026amp;MarketPlace=US\u0026amp;source=ac\u0026amp;ref=qf_sp_asin_til\u0026amp;ad_type=product_link\u0026amp;tracking_id=bmmedia0b-20\u0026amp;marketplace=amazon\u0026amp;region=US\u0026amp;placement=1593937075\u0026amp;asins=1593937075\u0026amp;linkId=0ee37346b10dabbccb606ae4ddd7e0a9\u0026amp;show_border=true\u0026amp;link_opens_in_new_window=true\u0026amp;price_color=333333\u0026amp;title_color=0066c0\u0026amp;bg_color=ffffff\"\u003e\n    \u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003eReview from the Huffington Post\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan style=\"font-size: 14px;\"\u003e\u003cspan style=\"color: black; font-family: Arial,Helvetica,sans-serif;\"\u003e\u003cspan\u003ehttps:\/\/www.facebook.com\/profile.php?id=61579765060536\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\"''\"--\u003e\u003c\/p\u003e","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712756641834,"sku":"fdc1787291644484","price":21.6,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/dear-stinkpot-letters-from-louise-brooks-softcover-edition-by-jan-wahl_1.jpg?v=1787291649"},{"product_id":"the-new-horror-handbook-by-as-beeman","title":"THE NEW HORROR HANDBOOK by A.S. Beeman","description":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cstyle\u003e\n\u003c!--\n \/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:0 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:1;\n\tmso-generic-font-family:roman;\n\tmso-font-format:other;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 0 0 0 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n@font-face\n\t{font-family:\"Avenir Book\";\n\tpanose-1:2 0 5 3 2 0 0 2 0 3;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-2147483473 1342185546 0 0 155 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\n\u003c\/style\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eIt's time the new horror elite had their say . . .\r\n.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eFreddy? Jason? Michael Myers? Please! Since the\r\nwaning days of the twentieth century, a renegade band of directors have\r\nrenounced the cartoon trappings of recent horror flicks and reclaimed the genre\r\nfor a new generation of fans. Their work is darker, nothing is off limits, and\r\nevery frame is as beautiful as its contents are disturbing. \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eDiscover the leaders of this new\r\nhorror movement, including Eli Roth (Hostel, Cabin Fever), Greg McLean\r\n(Wolf Creek, Rogue), Vincenzo Natali (Cube, Splice) and John Fawcett (\u003ci\u003eGinger\r\nSnaps, The Dark\u003c\/i\u003e).\u003c\/span\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\"'\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eExplore what's happening on the fringes of modern\r\nhorror, where you will meet:\u003c\/span\u003e\u003cspan style='font-family:\"Avenir Book\";\nmso-bidi-font-family:\"Avenir Book\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e* Steve Niles, the comic book phenomenon. who\r\ndragged horror comics out of their fifty-year rut with the hit series, \u003ci\u003e30\r\nDays of Night.\u003c\/i\u003e\u003c\/span\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e* Rodrigo Gudino, who started\u003ci\u003e Rue Morgue\u003c\/i\u003e magazine, the\r\nvoice of the new horror movement, just so he could break into\r\nhorror filmmaking himself.\u003c\/span\u003e\u003cspan style='font-family:\"Avenir Book\";\nmso-bidi-font-family:\"Avenir Book\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e* America's youngest horror film director, and the\r\ngrown-up documentary crew that captured her every move for a film of their\r\nown.\u003c\/span\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\"Avenir Book\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e* Horror filmmaker Joe Monks, who just might also\r\nbe America's only blind director.\u003c\/span\u003e\u003cspan style='font-family:\"Avenir Book\";\nmso-bidi-font-family:\"Avenir Book\"'\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e* And many more!\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n\u003cp\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cem\u003e\u003cfont face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003e\u003cfont color=\"black\"\u003eRead why Rogue Cinema loves it\u003c\/font\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp align=\"left\"\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cem\u003e\u003cfont face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003e\u003cfont color=\"black\"\u003eRead the new review!\u003c\/font\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp align=\"left\"\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cem\u003e\u003cfont face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003e\u003cfont color=\"black\"\u003eRead this great review too!\u003c\/font\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp align=\"left\"\u003e\r\n\t\u003cspan style=\"font-size:14px;\"\u003e\u003cem\u003e\u003cfont face=\"Arial,Helvetica,sans-serif\" color=\"black\"\u003e\u003cfont color=\"black\"\u003eAnd another!\u003c\/font\u003e\u003c\/font\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\r\n\t\u003c!--\"''\"--\u003e\u003c\/p\u003e\r\n","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712756805674,"sku":"ule1787291646373","price":19.22,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/the-new-horror-handbook-by-as-beeman_1.jpg?v=1787291651"},{"product_id":"playing-piano-in-a-brothel-memoirs-of-a-film-director-by-peter-duffell","title":"PLAYING PIANO IN A BROTHEL: MEMOIRS OF A FILM DIRECTOR by Peter Duffell","description":"\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cstyle\u003e\n\u003c!--\n \/* Font Definitions *\/\n@font-face\n\t{font-family:\"Cambria Math\";\n\tpanose-1:0 0 0 0 0 0 0 0 0 0;\n\tmso-font-charset:1;\n\tmso-generic-font-family:roman;\n\tmso-font-format:other;\n\tmso-font-pitch:variable;\n\tmso-font-signature:0 0 0 0 0 0;}\n@font-face\n\t{font-family:Calibri;\n\tpanose-1:2 15 5 2 2 2 4 3 2 4;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-536870145 1073786111 1 0 415 0;}\n@font-face\n\t{font-family:\"Avenir Book\";\n\tpanose-1:2 0 5 3 2 0 0 2 0 3;\n\tmso-font-charset:0;\n\tmso-generic-font-family:auto;\n\tmso-font-pitch:variable;\n\tmso-font-signature:-2147483473 1342185546 0 0 155 0;}\n \/* Style Definitions *\/\np.MsoNormal, li.MsoNormal, div.MsoNormal\n\t{mso-style-unhide:no;\n\tmso-style-qformat:yes;\n\tmso-style-parent:\"\";\n\tmargin:0in;\n\tmargin-bottom:.0001pt;\n\tmso-pagination:widow-orphan;\n\tfont-size:12.0pt;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n.MsoChpDefault\n\t{mso-style-type:export-only;\n\tmso-default-props:yes;\n\tfont-family:Calibri;\n\tmso-ascii-font-family:Calibri;\n\tmso-ascii-theme-font:minor-latin;\n\tmso-fareast-font-family:Calibri;\n\tmso-fareast-theme-font:minor-latin;\n\tmso-hansi-font-family:Calibri;\n\tmso-hansi-theme-font:minor-latin;\n\tmso-bidi-font-family:\"Times New Roman\";\n\tmso-bidi-theme-font:minor-bidi;}\n@page WordSection1\n\t{size:8.5in 11.0in;\n\tmargin:1.0in 1.0in 1.0in 1.0in;\n\tmso-header-margin:.5in;\n\tmso-footer-margin:.5in;\n\tmso-paper-source:0;}\ndiv.WordSection1\n\t{page:WordSection1;}\n--\u003e\n\u003c\/style\u003e\r\n\r\n\r\n\r\n\r\n\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eBritish Academy Award-winning director and writer\r\nPeter Duffell tells his fascinating journey through the films and TV shows\r\non which he worked alongside.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eAfter years spent directing television series,\r\nsuch as \u003ci\u003eThe Avengers\u003c\/i\u003e (1967) and \u003ci\u003eMan in a Suitcase\u003c\/i\u003e (1967-1968), Duffell's\r\nfirst feature, \u003ci\u003eThe House that Dripped Blood\u003c\/i\u003e (1971), a\r\nhorror film that later developed a cult following,  mirrored his future\r\nwork with great stars of the era, including Christopher Lee, Denholm\r\nElliot, Peter Cushing, and Ingrid Pitt.  \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eDuffell shares highly entertaining stories of\r\nwriting the script for \u003ci\u003eEngland Made Me\u003c\/i\u003e (1973), based on a book\r\nby Graham Green, one of his great heroes. Duffel also tells of\r\nthe off-screen drama while filming \u003ci\u003eThe Far Pavilions,\u003c\/i\u003e (1984),\r\na mini series with John Gielgud and Omar Sharif.  \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\" style=\"mso-pagination:none;mso-layout-grid-align:none;\ntext-autospace:none\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003e \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style='font-family:\"Avenir Book\";mso-bidi-font-family:\n\"Avenir Book\";color:#445158'\u003eDiscover the fascinating journey of a dedicated\r\nBritish filmmaker, whose work still pleases film and classic television fans in\r\nmany countries. \u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\r\n\r\n\r\n\r\n","brand":"BearManor Media","offers":[{"title":"Default Title","offer_id":44712756969514,"sku":"ctd1787291649254","price":17.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0664\/4380\/4714\/files\/playing-piano-in-a-brothel-memoirs-of-a-film-director-by-peter-duffell_1.jpg?v=1787291654"}],"url":"https:\/\/streetstylestore.shop\/collections\/film.oembed","provider":"My Store","version":"1.0","type":"link"}